ALÉM-MUNDOPLENO DE MUNDOS



 2024
EXHIBITION


EARTH FROM ABOVE

PAPER, OFFSET SHEET, BULLDOG CLIP, STEEL, GALVANIZED WELDED MESH

 2023
PHOTOGRAPHY // PUBLICATION


ESCALAS

PAPER

 2023
PUBLICATION


EXERCICIO DE VOO N.º 1

STEEL, ROOFMATE, SYNCHRONOUS MOTOR, LED USB LAMP 

 2023
SCULPTURE // 
INSTALLATION


NOTES ON VERTICALITY


PAPER, OFFSET SHEET


2023
PHOTOGRAPHY


ENSAIO SOBRE ESCALAS

CARBON PAPER, TRACING PAPER, BLACK PAPER, JOHANNOT PAPER 125 GR., NEWSPRINT PAPER 2022
DRAWING


UM DIA NA PRAIA DE PENICHE A MATOSINHOS
PAPER 2022
PHOTOGRAPHY // PUBLICATION


ONDE A ARTE E A CIÊNCIA SE ENCONTRAM

INK, FABRIC (BLACK, GREEN, YELLOW), WOOD, STEEL, CONCRETE 2021
SCULPTURE // INSTALLATION


GAMBIARRAS

2021
PHOTOGRAPHY




Rafaela Lima
INFO  ONGOING
ENSAIO SOBRE ESCALAS2021


Exhibition view, DOS ZERO AOS CINCO MIL PÉS –A ESCALA ENQUANTO EXERCÍCIO IMAGINATIVO (Master’s Project), oMuseu, Faculty of Fine Arts – University of Porto


PHOTOGRAPHY //
PUBLICATIONIn Ensaios sobre escalas we seek to develop a set of drawings that are essentially ambiguous as to their scale, may be registered between the infinitely small and the infinitely large. It was through the use of the circle, systematically repeated in the various drawings of the project, that these two distant dimensions were brought together. Attempts to represent the tiniest thing were made by repeating parallel lines, equidistant from each other both vertically and horizontally, until it was no longer possible to reduce the proximity between them. The exercise of reducing the blank spaces between the lines leads to several squared grids which, sometimes in white or graphite, fill the entire area of the paper on which they are inscribed. Through the points where these lines intersect, from the center to the edge of the sheet, small holes no wider than a sewing needle coincide, until a circle of light radiates inside the drawing.

As the circle gets larger, graphite powder marks the enlargement movement of the circular form: the drawing that previously sought to represent the tiniest, through the reduction of open spaces, becomes a tool for the representation of the immense, through the multiplication of light entrances.